Sunday, October 3, 2021

Ceramic Donald

Scene from a Dream

Ceramic Donald. 

Pam and I were traveling in Florida. At an obscure tourist trap we wandered into a gift shop piled high with trappings that tourist collect for no particular reason other than to satisfy their predilection for impulsivity. Tripping through the shop we came to a table on which were displayed a dozen or so ceramic sculptures. There were vases, some tall and skinny, others short and squat, all with big holes in the top supposedly for flowers, decorative grasses, or cattails. They weren't particularly attractive, though they were colorful and glossy as ceramic pieces tend to be. Behind the table stood two women, one tall, one short, middle age, otherwise nondescript but maudlin and yet alert in appearance. Dark clothes, black, sooty gray and a touch of brown, hung on them like rags in a mechanic's washroom. Ostentatiously, they were there to answer questions about the ceramic objets d'art should any arise. Were they (the women) the sculptors, or consignment agents?  

On each ceramic piece were small, rectangular, white stickers with prices marked in scrawled blue ball point pen. My eyes went to the tallest of the objects, a cactus-like green and blue vase that stood two feet tall. It was attached to a large replica of a yellow rubber ducky. I leaned over the piece and ogled the price tag sticker—$12,633.

"Wow," I said. "You must think we're made of money," and shook my head in disbelief. I couldn't imagine why anyone would want the ugly thing at any price. Where would they put it, I wondered? Perhaps in the back of a dark storage closet to be discovered at our death by grandchildren who would immediately take the hideous piece to the sidewalk and crown it with a sledge hammer. The women said nothing, their expressions expressionless.

I looked around the table at the other price tags—$600, $450, $1,200. All were more money than the two of us had in their combined bank accounts, including our IRA stocks. It was nuts. Who would buy this stuff?

We were about to turn away when a small creation at the left edge of the table caught our attention. At first it looked like a small, squat pumpkin, about seven inches tall. Like the others it was a glossy ceramic object, but instead of a hole in the top for weeds, it had hair. Not real hair, but a ceramic re-creation of hair in orange flowing locks. The top half of the object was covered in soft orange and yellow blotches, evenly spread about the top and sides. Immediately below the hair was a face. The face we recognized. It was an impressionistic likeness of Donald Trump...a head bust...but not of marble or brass, or gold, or silver. It was ceramic. But it was cute and endearing, actually. Whoever created it apparently liked The Donald. Sitting askew on Donald's head, so as not to totally cover his locks, was a real, tweed, wool (not ceramic), men's flat-cap, like a British gentleman might wear on a dreary, damp day herding his sheep or playing golf between rain squaws. 

That's really cute," said Pam. 

"Yes, I agree," I said. 

"How much is it?" asked Pam. 

I removed Donald's brown tweed cap. On his ceramic orange hair was a tiny, white price tag—$20. 

"Twenty dollars." Pam exclaimed, "we've got that don't we?" 

"Yes, I think so," I said. 

"Let's get it," said Pam.

The two women behind the table groaned with disgust, although it was not clear if the groan and the disgust were because The Donald was so cheap and they would be poor for yet another day, or if they disliked The Donald for other reasons. 

"But I don't like the cap," I said. "It doesn't match." 

I had no more said that when the tall woman quickly removed the brown tweed, wool cap from Donald's head and replaced it with with a similar cap that was a perfect match of fuzzy orange and yellow blotches. 

"Perfect," I said. "We'll take it."

Another stereo groan from the women. The one on the left said, "with tourist and state sales tax that will be $26." With hopeful derision she said, "Do you have that much?"

We pooled our resources. After counting out several crumbled one- and five-dollar bills, and a loose coins, we only had $17.23. "I'll write a check," I said. 

"We'll have to clear it with your bank before you leave," the woman on the right said.

So, I wrote out a check for $26. The short woman called the bank on a speaker phone. 

"Yes, that's fine. It's fine. Just fine," the banker said. "They have plenty of money. That's fine. Just fine. It's a really good check, really good." 

And so the tall woman produced a used plastic bag from Thrifty Food Mart. The bag had a small hole in the bottom. She put The Donald in the bag, and Pam and I tripped home with our new objet d'art. 

It was not destined for the storage closet. We would put it next to the four foot tall ceramic angel with the trumpet. Like the angel, we decided the children would argue over The Donald when we died. 


Saturday, September 4, 2021

BUZZING

 

BUZZING

[A short screenplay based on an Internet Legend. Copyright @ 2014, SWC Films. Registered WGA. But available for free if you an produce it. Stan Williams.)

[Production Note Challenge: Make each scene one take.]
EXT. CITY PARK - DAY
A RICH YOUNG MAN, well-dressed and aloof, eats his lunch on
a park bench and reads the Wall Street Journal.
Nearby, an entertaining OLD PREACHER in clothes a century
old, stands on another bench and preaches to a small crowd.
                         OLD PREACHER
               Then old Eli said to the young boy,
               "If you hear the voice again, do
               not come to me, though it be night,
               but say, 'Speak, Lord, for thy
               servant heareth.'"
The Old Preacher and Rich Young Man lock eyes. There's a
connection. The Old Preacher preaches to The Rich Young Man
more than the small crowd around him.
                         OLD PREACHER
               That's the problem today. The
               Almighty speaks and we don't
               listen. Something is wrong. We're
               given signs, wonders and things
               common. We turn away. We don't
               hear. Open your eyes. Open your
               ears. Smell the roses. Smell the
               decay. Believe and obey. Or there
               will be consequences to pay.
The Rich Young Man responds with a dismissive glance. He's
had enough. Throwing his sandwich into his bag, he makes
haste to get away.
INT. SPORTSCAR CONVERTIBLE - DAY - MINUTES LATER
The Rich Young Man drives through the city in an expensive
sports car. He enjoys the sun and wind.
As he turns a corner to his left, he jerks his head to the
right, as if to respond to a STRANGE VOICE his passenger has
made. But he's alone.
[Note: We hear a muffled version of the STRANGE VOICE. It
sounds like a low frequency voice speaking, but at a very
high, unintelligibly speed.]

PAGE 2.

He stares at the empty seat for a moment too long.

AGENCY

Betty Ash strutted determinedly down the second floor hallway toward the creative director's office.  Her stiletto heels sent vibrations through the carpet and rattled the glass side lights in the offices she passed. The occupants didn't have to look up to know who was on the war path.  She had made this trip too often lately. Last week a script had been late,  today a fax had cast a pale over her Friday morning coffee. Jack Stanley had just discovered a $32,000 overage in his talent budget for the four sales videos he had just finished shooting.  

$32,000 in just talent overages.  How could it be humanly possible?  She couldn't figure it out.  She'd known Jack for years, a thin man with thick glasses, a foul mouth, but an impeccable honest heart.  He suffered from MS, and hobbled from meeting to office with a cane.  When, during the second day of production, the director ordered a wheel chair for Jack, a concerned gesture, Jack practically took off the man's head with the cane. The last line of Jack's hand written fax particularly angered her, "...the other $15,000 I can't explain".

Why Jack?  How could you screw up so badly?  It's bad enough that you cost the company and yourself grief this way, but  $32,000 could wipe out a good hunk of the group's profitability for the entire month.  Maybe it isn't true.  But, damn it, I know it is! 

She had reached her destination.  Her tactical target–Willis Stockton, the training creative director.  He was in the middle of a meeting with another vice president, Patrick Balls.  So what. Abigail was a striking woman.  Her slim shapely figure, blonde hair, fashionable tight fitting clothes (not sexy but very efficient) always attracted stares from a distance.  Up close she wore little or no makeup, her eyes were bloodshot from stress and lack of sleep, and she rarely smiled.  Today her eyes bore holes through the six foot side light into Stockon's office.  Before " the wicked-witch from account"–as she was affectionately known–forced open the door, both men had turned to look because the stiletto heels–a familiar sound to both of them–had suddenly stopped outside the door, and that could only mean one thing.  She was coming in.

The door opened suddenly.  Ash took one step in,  her hand still white- gripped with anger around the gold-chrome door knob, "We've got a VERY serious problem Willis...", she stopped in mid sentence as Stockon lifted his hand to deflect the onslaught, and then gesture to the table in front of him.

"I know Betty, I've been sorting through the SAG contracts already.  I'm trying to uncover the facts and discover what really happened," Stockon said.

"Well, Macloch wants us in his office at 11am sharp, I've got all the backup right here".  She paused for effect,  glanced at Balls, "Sorry to interrupt."  She wasn't.   Then she closed the door, and planted her left heel through the carpet into the steel girders of the building.


Ceramic Donald

Scene from a Dream Ceramic Donald.  Pam and I were traveling in Florida. At an obscure tourist trap we wandered into a gift shop piled high ...